Like any good salesman, he’s happy to talk about why filmmakers keep showing up to 101 Park. “You make three or four movies, and all of a sudden everybody wants to be there,” says Peter Kalikow, the 79-year-old real-estate mogul who owns the building and has offices on the 25th floor. It’s 101 Park Avenue, and it’s been the onscreen workplace for everyone from Jeff Bridges in The Fisher King to Rebel Wilson in Isn’t It Romantic, Susan Sarandon in New Year’s Eve to Liam Neeson in The Commuter, Richard Gere in Arbitrage to Adam Sandler in Click. It’s got a Corbusian concrete plaza outside, a spacious, well-lit lobby inside, and a floor plan that resembles an octagon sliced in half, then given a nudge. The modernist office blocks that fill up Midtown are often criticized for their anomie-inducing interchangeability, but watch enough New York City movies, and you start to notice one specific tower over and over again. Tap or click each number on the map below to read more. But almost two years later, the map feels strikingly appropriate for the COVID era: As the real city shut down, the imaginary version from the movies helped keep the spirit of New York alive. We began this project in February 2020, just before the coronavirus sent us into a quarantined hibernation. And we included places where celluloid preserves a long-vanished incarnation of the city, a record of what certain neighborhoods looked like before they were transformed by money, power, and fashion. Others are the character actors of the cityscape, recurring settings you might never have noticed. Some are iconic onscreen moments that require little explanation. (The data came organized by Zip Code dots have been placed broadly inside the corresponding areas.) In red in the map below, we have highlighted more than 50 special locations from New York cinema history. In blue in the map above, we have pinpointed the past four years’ worth of film permits from the Mayor’s Office of Media and Entertainment. ![]() The number of features shot in the boroughs every year rose from roughly 70 in the late ’70s (as James Sanders notes in Celluloid Skyline) to more than 300 in 2016.Ĭonsider this map a love letter to the New York of the movies and the hardworking location scouts, production assistants, and other professionals who bring it to life. And the city welcomed them, if not quite with open arms (prevent people from parking on select blocks of the Upper East Side and you will hear about it), then at least with an open mind - as well as some attractive tax incentives. But as cameras got smaller and more mobile, the movies gradually returned to New York. The industry’s migration to the West Coast dampened things somewhat - films like Rear Window were made entirely on studio back lots - though even then productions sometimes earmarked a few days to get footage of the actual city. As a veteran location scout put it to me, you get millions of dollars in production value just by setting up the camera.įrom the early days of silent shorts, the movies have always loved shooting on New York’s streets. So why do filmmakers keep coming back? Because the city has an energy you can’t get anywhere else: the bebop beat, the sidewalk theater, the sense that the unpredictable is just around the corner. (That’s why they invented Hollywood.) The city is crowded, cranky, and expensive. Here are all the real-life locations The Batman filmed at to create Gotham.New York is not the easiest place to shoot a movie. The Batman's Chicago section of filming was done primarily with the second-unit crew to film exteriors, while various UK countries doubled as Gotham. When the movie was filming on location, the cast and crew mostly stayed in the UK to film the biggest Gotham locations. The Batman did its best to film in real-life locations, although prominent movie locations like the Batcave and Wayne Tower were built as sets on studio lots. Related: Why The Batman's Reviews Are So Positive When it comes to The Batman, Matt Reeves primarily used the UK and Chicago to get the cold, gothic, and old look of Gotham he desired. However, Tim Burton heavily leaned on England, Christopher Nolan used Chicago, and Zack Snyder brought Batman to Detroit. The fictional DC city that Batman protects is typically depicted as being part of New Jersey in the comics, while New York and Chicago heavily influenced the visual style. ![]() Throughout the decades of movies starring Batman, filmmakers have had the challenge of creating distinct looks for Gotham.
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